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Ilya Yefimovich Repin

1844-1930 After training with a provincial icon painter and at the St. Petersburg Academy of Fine Arts, he visited France and Italy on an academy scholarship. On his return he began painting subjects from Russian history. In 1873 he achieved international fame with Volga Boatmen, a grim, powerful image that became the model for Soviet Socialist Realism. Among his best-known works is Ivan the Terrible and His Son Ivan (1895), depicting Ivan's murder of his son. He also painted vigorous portraits (including Leo Tolstoy and Modest Mussorgsky). In 1894 he became professor of historical painting at the St. Petersburg Academy.

Ilya Yefimovich Repin Self portrait with Natalia Borisovna Nordman-Severova. painting


Self portrait with Natalia Borisovna Nordman-Severova.
Self portrait with Natalia Borisovna Nordman-Severova.
Painting ID::  87088
  Date 1903(1903) Medium Oil on canvas Dimensions 78.5 x 130 cm (30.9 x 51.2 in) cjr
  Date 1903(1903) Medium Oil on canvas Dimensions 78.5 x 130 cm (30.9 x 51.2 in) cjr

 

 
   
      

Ilya Yefimovich Repin
1844-1930 After training with a provincial icon painter and at the St. Petersburg Academy of Fine Arts, he visited France and Italy on an academy scholarship. On his return he began painting subjects from Russian history. In 1873 he achieved international fame with Volga Boatmen, a grim, powerful image that became the model for Soviet Socialist Realism. Among his best-known works is Ivan the Terrible and His Son Ivan (1895), depicting Ivan's murder of his son. He also painted vigorous portraits (including Leo Tolstoy and Modest Mussorgsky). In 1894 he became professor of historical painting at the St. Petersburg Academy.
Self portrait with Natalia Borisovna Nordman-Severova.
Date 1903(1903) Medium Oil on canvas Dimensions 78.5 x 130 cm (30.9 x 51.2 in) cjr

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Related Paintings to Ilya Yefimovich Repin :.
| The Japanese Footbridge | Sacrifice of Isaac | The Adoration of the Name of the Lord | Saint Antony of Padua holding Baby Jesus | Portrat des Ludwig XIV |


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